In addition, Wareham Morris often experiments with space on the page, ensuring that the
shapes and forms created by the white space interact with the space taken up by text or image
itself; where the presentation of the poems is just as surprising perhaps as the version of the
self in question. In this sense the typography not only creates white space on the page but may
also be seen to represent the potential for unspoken, unknown selves to emerge. The
movement of the words on the page creates a sense of energy or potential, similarly to the
energy created in the spoken word performances where the author moves into different
spaces.